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Campaign Art: Mine Kafon

Roxanne Bauer's picture

People, Spaces, Deliberation bloggers present exceptional campaign art from all over the world. These examples are meant to inspire.

This week, the United Nations and countries around the world will observe International Mine Awareness Day on April 4, 2012, as they have every April 4 since 2006.

The following video captures the "Mine Kafon" (Mine Detonator), a wind-powered device designed and built by hand by Massoud Hassani.  It is heavy enough to trip land mines as it rolls across the ground but 120 times cheaper than traditional techniques.  Hassani drew his inspiration from his childhood on the outskirts of Kabul, where he and his younger brother would play with their homemade, wind-powered toys. These toys would sometimes be blown astray, rolling out into the desert amongst landmines, too dangerous to retrieve.

Mine Kafon

In search of the ideal educational technology device for developing countries

Michael Trucano's picture
you have some important choices to make on which path to choose ...
you have some important choices to make
on which path to choose ...

In two weeks I'll visit BETT, the London-based event which is sometimes referred to as the 'world's biggest educational technology trade show'. While I don't know if it is in fact the 'biggest' (ISTE's annual event is huge as well), nor how one calculates magnitude in such cases, there is no doubt that it is indeed really, really, really, big.

I attend BETT most years for a number of reasons. Doing so provides me with a chance to see all of the new cool gadgets and applications in one place. It is pretty easy to schedule meetings packed into a few days with lots of groups and people who are also at BETT; 'back home' it would take months to coordinate such meetings.

Conveniently, BETT takes place immediately after the Education World Forum, where scores of education ministers gather together each year to share experiences about challenges and successes related to education in their countries. This 'convenience' is actually no coincidence: Many ministerial delegations, especially those from middle and low income countries, stay on to tour the exhibition halls at BETT, to see the 'latest and greatest' and be (presumably in some cases) wined and dined by various vendors hoping to build relationships and do some business. While I skip the 'hospitality' stuff (not really my scene), I typically find it very educational to attach myself to, and rotate between, a few ministerial delegations each year as they tour the BETT exhibition spaces. Doing so offers me some exposure and insight into what such groups are interested (and not interested) in, and provides me with a 'fly-on-the-wall' view into the various sales pitches that are made to these sorts of government officials by companies eager to ring in the new year with some big contracts – as well as how such officials respond to such marketing.

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Just as I find the questions that educational officials ask of vendors when they tour the BETT exhibition spaces to be revealing in many ways, I am often intrigued by the related questions that many of these companies then pose to me.

As a result of my work at the World Bank helping to advise on issues at the intersection of technology use and education in middle- and low-income countries and emerging markets around the world, I am, for example, asked from time to time by companies sets of questions that can be summarized as follows:

What would be the 'ideal' educational technology device for use in schools,
and by teachers and students, in developing countries?

AVN is shortlisted for Buckminster Fuller Challenge!

Tony Kaye's picture

Association La Voûte Nubienne (AVN) was awarded a DM grant in 2009 to test an innovative strategy for scaling up and accelerating the recruitment and training of Nubian Vault (NV) apprentices and the growth of a self-sustaining market in NV houses in Burkina Faso. The Nubian Vault is an ancient Egyptian technique of building vaulted roofs made from local bricks without using any wood, instead of typical tin roofs that are more expensive and use scarce wood during construction. AVN is transforming traditional housing available in the harsh climate of the Sahel region by providing a sustainable housing alternative and helping to avoid further deforestation.

BFC Logo - credit: challenge.bfi.orgAVN has taken on the Buckminster Fuller Challenge (BFC) and is in the running for $100,000 for the submission of our Earth roofs in the Sahel program. Our entry was published in the BFC Idea Index 1.0 on Tuesday, February 14.

Named "Socially-Responsible Design’s Highest Award" by Metropolis Magazine, the Challenge is an annual international prize program that awards $100,000 to support the development and implementation of a solution with significant potential to solve humanity’s most pressing problems.

Accessible and inclusive transport: can we achieve it?

Julie Babinard's picture

Have you ever been to a foreign city and not been able to figure out the names of the stations or directions of that city’s metro? Did you feel completely lost and upset with whoever designed the system? Maybe as a parent you have tried taking a bus with a stroller and gave up because you were not able to take it up the steep stairs? Or maybe you had to walk on the road among traffic and cars  because the sidewalk was blocked by construction or parked cars?

Visualizing Past Milestones with an Eye to the Future

Molly Norris's picture

Rebuilding Europe’s steel capacity after WWII. Jump-starting Japan’s bullet trains. Eradicating riverblindness. Coordinating a global phase-out of leaded fuels. Renewing tsunami-ravaged Indonesia.

The world shares many major milestones with the World Bank’s own history.  Our newly re-designed results timeline offers a “greatest hits” of international achievements with Bank involvement:

http://www.worldbank.org/results/#timeline

 

Thinking of tablets

Sameer Vasta's picture

I may spend my entire day staring at a computer screen, but when I'm not at work, I'm an avid magazine reader. Because of that, I've become increasingly interested in how the magazine industry is responding to the changes in media consumption and content delivery.