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Post-conflict Reconstruction

How do we Develop a “Science of Delivery” for CDD in Fragile Contexts?

Janmejay Singh's picture

Imagine you are a development practitioner in a country just coming out of conflict and you have just been put in charge of designing a community driven development (CDD) operation there.

After decades of war, you are faced with a country that has crumbling infrastructure, extremely high unemployment rates, weak local governance systems, perhaps even a vast population internally displaced or worse still, exposed to violence. Where do you begin fixing the problem? What would you prioritize? Do you begin by rebuilding and providing public goods, and hope that it would eventually re-establish the broken trust between the state and its people? Or do you directly tackle trust building first? Or perhaps you could do them simultaneously, but how would you go about doing that?

Rwanda's Artful Path Toward Peace: Cultural Industries and Post-Conflict Reconciliation

Uwimana Basaninyenzi's picture

In my last blog, I wrote about a medium that plays a critical role in post-conflict reconciliation: art.  I argued that the cultural industries—film, music, crafts, architecture, and theater, among other art forms—provide important benefits to post-conflict societies; therefore, policies that encourage the development and growth of these industries should be a critical part of a country’s comprehensive post-conflict reconstruction plan. In a further reflection on these points, this blog examines the story of Rwanda, a post-conflict society that is using film, theater, music, and other creative industries in its journey toward reconciliation and rebuilding.

The Art of War: Cultural Policies and Post-Conflict Reconstruction

Uwimana Basaninyenzi's picture

Are post-conflict societies that foster, promote, and develop their cultural industries providing important reconciliation benefits to their communities? If so, should governments make cultural policy a vital part of their post-conflict reconstruction plans?

After the traumatic experience of war, a number of policymakers may consider health, security, food, and shelter as the highest priorities without much consideration for culture. However, what many leaders in post-conflict zones often forget is that a conflicted, divided, and wounded population often compromises real prospects for peace and stability. Consequently, I argue that policies that encourage the development and growth of the cultural industries should be a critical part of post-conflict reconciliation efforts.