More than 1.5 billion people today reside in countries affected by violence and conflict, most - if not all - of which also suffer from inadequate and poor access to basic services. By 2030, it is estimated that about 40 percent of the world’s poor will be living in such environments, where each consecutive year of organized violence will continue to slow down poverty reduction by nearly one percentage point.
A large portion of this group presently resides in conflict-affected parts of South Asia, a region that is home to 24 percent of the world’s population and about half the world’s poor.
Despite such challenging circumstances, research shows that in many settings, development aid is indeed working - albeit with frustrating inconsistency.
The 2011 World Development Report recognizes the strong link between security and development outcomes in fragile and conflict-affected contexts. However, what the evidence is yet to show us is how exactly do you get the job done right?
Imagine you are a development practitioner in a country just coming out of conflict and you have just been put in charge of designing a community driven development (CDD) operation there.
After decades of war, you are faced with a country that has crumbling infrastructure, extremely high unemployment rates, weak local governance systems, perhaps even a vast population internally displaced or worse still, exposed to violence. Where do you begin fixing the problem? What would you prioritize? Do you begin by rebuilding and providing public goods, and hope that it would eventually re-establish the broken trust between the state and its people? Or do you directly tackle trust building first? Or perhaps you could do them simultaneously, but how would you go about doing that?
Trafficking in West Africa
Trafficking is not new to West Africa, but its magnitude is. From Northern Mali to The Gambia, smugglers have traded fuel, cigarettes and staple food for decades. Longstanding trade routes and interregional tribal connections have allowed illegal cross-border trading to grow alongside traditional commercial practices.
If images spark conversation, can a conversation spur action? Or more specifically, can a discussion about art and Syria’s economy the more than 100 prompt finance ministers attending the World Bank’s annual Spring Meetings in Washington to dig deeper into their pockets and give more humanitarian aid to Syria?
Following Russia’s annexation of Crimea after the popular voting in early March, the European Union and recently the U.S. and Canada have imposed their first round of sanctions—an asset freeze and travel ban on some officials in Russia and Crimea. This week NATO's foreign ministers, warning that Russian troops could invade the eastern part of Ukraine swiftly, ordered an end to civilian and military cooperation with Russia. Should the crisis escalate, potential fallout on Middle East and North Africa (MENA) countries is likely. The effects would be transmitted directly through trade and indirectly through commodity prices.
Major crises like wars and disasters affect the lives of millions of people around the world. Sri Lanka itself has experienced the devastating consequences of a brutal 30-year war, violent insurrection and the 2004 Indian Ocean tsunami. Whilst mental health and psychosocial services have evolved to help survivors of these crises to cope with and recover from these impacts, it has often been a challenge to providing effective support at the scale required and in a timely manner.
For some affected people, the mental health and psychosocial consequences can be serious and long-lasting. However, for others, access to appropriate material and social support can bolster their ability to cope with the losses and hardships created by disaster and conflict. Given the limited specialized human resources available for mental health and psychosocial support in low and middle-income settings around the world – including in Sri Lanka – it is vital to develop approaches that can strengthen families’ and communities’ own capacity for resilience in the face of adversity.
After 3 years of war, themes of fragmentation, fatigue, and bloodshed all come across in the work of Syrian artists currently being exhibited at the World Bank.
Collectively, their paintings convey a sense of the internal turmoil caused by external violence, paintings that hint at conflict: the skeleton beneath the skin, a fractured womb, being caught in a trap like a fly, the scarlet gashes of torn flesh, and sinister handcuffs, to name a few subjects.
Join us April 9th, 2014, for the opening of the art exhibition featuring 35 paintings by 15 Syrian artists who were given the time and space to work at an artist residence in Lebanon.
Get a glimpse of the paintings here.
After the situation in Syria deteriorated, around October 2011, thousands of Syrians fled to Lebanon, among them many young emerging artists. With the difficult conditions and emotional trauma, artists had to take jobs in construction and in restaurants instead of creating art. Given the situation and my belief in the importance of art in hard times, the idea of an artists’ residence in the town of Aley, or the Art Residence in Aley (ARA), arose.
People, Spaces, Deliberation bloggers present exceptional campaign art from all over the world. These examples are meant to inspire.
This week, the United Nations and countries around the world will observe International Mine Awareness Day on April 4, 2012, as they have every April 4 since 2006.
The following video captures the "Mine Kafon" (Mine Detonator), a wind-powered device designed and built by hand by Massoud Hassani. It is heavy enough to trip land mines as it rolls across the ground but 120 times cheaper than traditional techniques. Hassani drew his inspiration from his childhood on the outskirts of Kabul, where he and his younger brother would play with their homemade, wind-powered toys. These toys would sometimes be blown astray, rolling out into the desert amongst landmines, too dangerous to retrieve.
Classical music welcomed me into Fadi Al Hamwi’s flat in the Gemmayze neighborhood of Beirut. His room was simple and distinctive. Instead of furniture occupying the space, he had lined it with art. Music swelled around us and half-finished, dramatic life-size paintings leaned against the walls. Fadi, a 27-year-old painter from the Syrian capital of Damascus, had moved to Beirut almost two years ago. On the walls were a series of X-ray portraits, mostly of animals. He said his art explored the lack of humanity in the Syrian war, exposing men and woman stripped to the structure of their bones.