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In World Bank art exhibition, artists unpack displacement stories

Juliana J Biondo's picture
Also available in: Français
Installation shot of Unpacked, a mixed media sculpture by Mohammad Hafez and Ahmed Badr. © Bassam Sebti/World Bank
Installation shot of Unpacked, a mixed media sculpture by Mohammad Hafez and Ahmed Badr. © Bassam Sebti/World Bank

As the World Bank Group strengthens support for refugees, internationally displaced people, and their host communities, the World Bank Art Program curated a multi-dimensional art exhibition entitled, Uprooted: The Resilience of Refugees, Displaced People and Host Communities to contribute a unique perspective. This exhibition showcased the creative voices of those artists touched by the refugee crisis, or those artists who were refugees themselves.

Artist Marina Jaber from Iraq. © Bassam Sebti/World Bank
Artist Marina Jaber from Iraq. 

The Uprooted exhibition included a visual art exhibition and musical performances featuring over 30 artists from places such as Bangladesh, Pakistan, Colombia, Lebanon, Iraq, Syria, Jordan, Central African Republic, Burundi, and Guinea. The artists produced works that questioned the impact of transience in individual lives and entire communities of people.

One capstone of the exhibition was the construction of a shed intended to evoke the shelters found in places such as the Azraq Refugee Camp in Jordan. For the exhibition, the shed was enhanced with murals on its sides. Each mural was done by the hand of a different artist – Suhaib Attar, an artist from Jordan and son of Palestinian refugee parents, Marina Jaber from Iraq, a country with millions internally displaced people, Diala Brisly, a refugee from Syria, and Didier Kassai from the Central African Republic, a country in which violence and war have forced hundreds of thousands into displacement. 

The Arab Spring – Unfinished Journeys

Juliana J Biondo's picture
Also available in: العربية | Français
Helen Zughaib, The Places They Will Go, 2015-2016, dimensions variable, individual children’s shoes, painted in acrylic gouache on adhesive photo installation. © Helen Zughaib
Helen Zughaib, The Places They Will Go, 2015-2016, dimensions variable, individual children’s shoes, painted in acrylic gouache on adhesive photo installation. © Helen Zughaib 

Each one is different - one has pink rims, and multi-sized dots, and hues of electric orange, deep fuchsia, and sea foam green. Another is donning pinstripes in red and orange, with mint green rims. And another – violet, blue, and red checkers with accents of lavender. We are looking at shoes, twenty-two shoes to be exact. They are all hand-painted by artist Helen Zughaib. These shoes, titled Oh The Places They Will Go, is part of the artists’ exhibition The Arab Spring – Unfinished Journeys, which premiered at the World Bank in Washington DC from January 28th to February 16th, 2018. The exhibition was hosted by the World Bank Art Program, in partnership with the Middle East and North Africa Regional Vice President Hafez Ghanem. The World Bank Art Program hosts regular exhibitions, domestically and internationally, that shed light on pressing development issues.

The Arab Spring – Unfinished Journeys stands as an important connection point between the growing global crisis of refugees and internally displaced people, and the Bank’s continuing efforts to engage in reconstruction and recovery and address the root causes of conflict and violence  - from new financing mechanisms in Jordan and Lebanon, to new cash transfer programs in Yemen allowing more refugees access to food.

1 in 3: What Does It Take for You to Be Outraged?

Marina Galvani's picture
Also available in: Español | Français | 中文 | العربية

Circumstance © Hanifa Alizada

The exhibition "1 in 3" was inspired by the work of a young Afghan photographer, Hanifa Alizada, and I picked her photo "Circumstance" for this blog as it conveys the painful march we are all on to fight this incredible level of violence against women worldwide. The exhibition highlights that this epidemic of violence does not single out any socioeconomic class. It knows no ethnicity, race, or religion. The scourge of violence against women and girls transcends international borders.

New research from the World Health Organization finds that some 35% of women worldwide — one in three — are subject to violence over the course of their lives, mostly at the hands of husbands or partners and at a huge personal and economic cost. 
 
Horrific events such as a gang rape on a bus seize headlines, but in fact no place is less safe for a woman than her own home. Estimates of lost productivity alone range from 1.5 to 2% of GDP, or roughly what most developing countries spend on primary education.
 
With "1 in 3," the World Bank Group Art Program seeks your engagement through art and encourages action to tackle gender-based violence.
 
This exhibition brings together hard data with some 80 nuanced, powerful artworks that explore the various ways in which violence affects the lives of women and girls around the world.
 
These works conveys the impact of domestic violence as experienced or witnessed by children, as in the paintings of Laben John of Papua New Guinea, and of sexual and gender-based violence as weapon of war, as in the sculpture of Freddy Tsimba from the Democratic Republic of Congo.

Artist Nasheen Saeed of Pakistan depicts the deadening neglect so many girls suffer in their own families simply because they are girls.
 
Photographers Kay Cernush of the United States and Karen Robinson of the United Kingdom take on human trafficking with intimate portraits of young women lured abroad by the false promise of a better life. All help break the silence that often surrounds violence against women, encouraging survivors to stand up and speak out.