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Cultural Heritage

Money or Art?

Christine Sedky's picture

So when I started to work with the khayameya I realized that my intention and the intentions of the khayameya workers were different. Not different in that we couldn’t agree, but just coming from different perspectives, which in the end turned out to be complementary. I had this idealistic, ambitious vision of simultaneously retaining craftsmanship, reviving cultural heritage, creating employment opportunities, etc…. For them, it is simply a source of income.

Decisions, decisions

Christine Sedky's picture

My first 6 weeks of officially working for Ayadi Organization I did on-the-ground research of various crafts around Egypt.  I was looking to find a craft that has been passed down for hundreds of years and that would benefit from working with Ayadi.  My vision was not to create something new.  I didn’t want something redundant or to recreate the wheel if it had already been created and spinning, but rather to build on others' work and make more impact.