The greatest development challenge facing Sub-Saharan Africa today is lifting 400 million of its people out of extreme poverty. The continent has abundant land and mineral resources to meet the challenge, but only if land governance can be improved. A new study, Securing Africa’s Land for Shared Prosperity, offers a ten-point program to improve land governance by accelerating policy reforms and boosting investments at a cost of US $4.5 billion over 10 years.
In my last blog, I wrote about a medium that plays a critical role in post-conflict reconciliation: art. I argued that the cultural industries—film, music, crafts, architecture, and theater, among other art forms—provide important benefits to post-conflict societies; therefore, policies that encourage the development and growth of these industries should be a critical part of a country’s comprehensive post-conflict reconstruction plan. In a further reflection on these points, this blog examines the story of Rwanda, a post-conflict society that is using film, theater, music, and other creative industries in its journey toward reconciliation and rebuilding.
- Social Development
- Social Impact of Art
- Rwanda Basket weaving Public Engagement in Arts
- Post-conflict Societies
- Post-conflict Reconstruction
- Post-Conflict Reconciliation
- post-conflict Countries
- fragile states
- Cultural Policies and Development
- Creative Industries
- Creative Economies and Development
- Art and Peace
- Art and Healing
Are post-conflict societies that foster, promote, and develop their cultural industries providing important reconciliation benefits to their communities? If so, should governments make cultural policy a vital part of their post-conflict reconstruction plans?
After the traumatic experience of war, a number of policymakers may consider health, security, food, and shelter as the highest priorities without much consideration for culture. However, what many leaders in post-conflict zones often forget is that a conflicted, divided, and wounded population often compromises real prospects for peace and stability. Consequently, I argue that policies that encourage the development and growth of the cultural industries should be a critical part of post-conflict reconciliation efforts.
The biggest misconception that a lot of people have is that the end of a war means total peace. Most, if not all of the time, post-conflict can be one of the most trying times for the people of any country, particularly for women. Post-conflict means the restoration and the rebuilding of communities. It’s that time when many, especially women and children, struggle to get over the trauma wrought by widespread violence.