Small and Medium Enterprises (SMEs) in the Gulf Cooperation Council (GCC) countries differ from SMEs elsewhere in that they employ mostly expatriate workers and very few of their own nationals. How do we know this? We see it in the labor force statistics: The share of expatriates in the private sector labor force ranges from 80% to 98% in the six GCC countries— Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates (UAE)— the lowest being in Oman and Bahrain, and the highest in Qatar and the UAE.
It’s the first class of an adult literacy program for young Moroccan women. Ghita comes to the front of the class, picks up a piece of chalk and carefully draws a line on the blackboard. It is the letter alif, the first letter of the Arabic alphabet, one of the simplest to recognize and write: a single downward stroke.
If images spark conversation, can a conversation spur action? Or more specifically, can a discussion about art and Syria’s economy the more than 100 prompt finance ministers attending the World Bank’s annual Spring Meetings in Washington to dig deeper into their pockets and give more humanitarian aid to Syria?
Following Russia’s annexation of Crimea after the popular voting in early March, the European Union and recently the U.S. and Canada have imposed their first round of sanctions—an asset freeze and travel ban on some officials in Russia and Crimea. This week NATO's foreign ministers, warning that Russian troops could invade the eastern part of Ukraine swiftly, ordered an end to civilian and military cooperation with Russia. Should the crisis escalate, potential fallout on Middle East and North Africa (MENA) countries is likely. The effects would be transmitted directly through trade and indirectly through commodity prices.
After 3 years of war, themes of fragmentation, fatigue, and bloodshed all come across in the work of Syrian artists currently being exhibited at the World Bank.
Collectively, their paintings convey a sense of the internal turmoil caused by external violence, paintings that hint at conflict: the skeleton beneath the skin, a fractured womb, being caught in a trap like a fly, the scarlet gashes of torn flesh, and sinister handcuffs, to name a few subjects.
Join us April 9th, 2014, for the opening of the art exhibition featuring 35 paintings by 15 Syrian artists who were given the time and space to work at an artist residence in Lebanon.
Get a glimpse of the paintings here.
In the unsettling horror movie Alien, an alien invades and hides within the human body, eventually causing great devastation. This is like the real story of the parasitic worm that, within minutes, invades the human body, using its forked tails to burrow into skin. Once inside the human body, it travels through the bloodstream and lives off its nutrients.
After the situation in Syria deteriorated, around October 2011, thousands of Syrians fled to Lebanon, among them many young emerging artists. With the difficult conditions and emotional trauma, artists had to take jobs in construction and in restaurants instead of creating art. Given the situation and my belief in the importance of art in hard times, the idea of an artists’ residence in the town of Aley, or the Art Residence in Aley (ARA), arose.
Classical music welcomed me into Fadi Al Hamwi’s flat in the Gemmayze neighborhood of Beirut. His room was simple and distinctive. Instead of furniture occupying the space, he had lined it with art. Music swelled around us and half-finished, dramatic life-size paintings leaned against the walls. Fadi, a 27-year-old painter from the Syrian capital of Damascus, had moved to Beirut almost two years ago. On the walls were a series of X-ray portraits, mostly of animals. He said his art explored the lack of humanity in the Syrian war, exposing men and woman stripped to the structure of their bones.
In a conversation I had recently with the Minister of Public Works, the Minister proposed an ambitious program: to provide road access to one thousand Yemeni villages. He reckoned it would cost around US$1 billion. This was on top of something the Minister had already started, a project for an expressway to connect the cities of Aden, Taiz, Sana’a, Amran, and Saada to the Saudi Border. Financing for part of this other ambitious project had been secured from Saudi Arabia and the World Bank. We are working together to secure funding to finance the rest of the expressway.